Can breath be art? Liz Larner on sculpting with hair, lashes, leather – and international group exhalati...

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Published: 2026-09-07T15:22:39.937Z • Permanent link

Liz Larner's latest project, 'International Group Exhalation', is a sculptural exploration that delves into the intersection of art, technology, and the human body. The Californian artist has long been fascinated by the potential of biotechnology to shape and transform our understanding of the world. In the early 2000s, she cultivated petri dishes that were breathed on by artists, resulting in 'murky and scary' results. Now, Larner is taking inspiration from NASA's images of asteroids, a shift that reflects her growing interest in the intersection of space technology and the human experience.

Larner's 'International Group Exhalation' project brings together artists from around the world to breathe over a large, inflated leather dome. The results are a series of intricate, lace-like patterns that seem to defy gravity. The project is a response to the growing presence of space technology in our lives, from social media to satellite imagery. Larner's work is a commentary on the ways in which we are increasingly surrounded by the trappings of space exploration, from the orbital imagery that dominates our screens to the asteroid mining companies that are vying for control of the cosmos.

The project is also a reflection of Larner's own interests in the intersection of art and technology. Her work often explores the boundaries between the human body and the natural world, and 'International Group Exhalation' is no exception. By using the human breath as a medium, Larner is able to create intricate, lace-like patterns that seem to capture the very essence of life itself. The project is a testament to the power of art to transform our understanding of the world, and to the enduring importance of the human experience in an increasingly technological age.

Liz Larner's 'International Group Exhalation' project has significant implications for the Data Sources domain. The use of biotechnology and space imagery as a medium for artistic expression raises important questions about the boundaries between art and science, and the ways in which we can use technology to shape and transform our understanding of the world. For companies like Google and Facebook, which are increasingly using biotechnology and artificial intelligence to shape our online experiences, Larner's work is a timely reminder of the importance of considering the broader social and cultural implications of their actions.

The project also has significant implications for research communities that are working on the intersection of art and technology. Larner's use of biotechnology and space imagery as a medium for artistic expression raises important questions about the role of the artist in shaping our understanding of the world, and the ways in which we can use technology to facilitate new forms of creative expression. For researchers at institutions like MIT and Stanford, who are working on the intersection of art and technology, Larner's work is a timely reminder of the importance of considering the broader social and cultural implications of their research.

Liz Larner's 'International Group Exhalation' project is part of a larger pattern of artistic exploration that is taking place at the intersection of art and technology. In recent years, we have seen a growing interest in the use of biotechnology and artificial intelligence to shape and transform our understanding of the world. From the use of biotechnology in fashion to the development of artificial intelligence-powered art tools, the intersection of art and technology is becoming increasingly important. Larner's work is a reflection of this trend, and highlights the growing importance of considering the broader social and cultural implications of technological advancements.